Well, there aren’t that many guys at the ballet studio. The men
are definitely outnumbered, but that hasn’t deterred 15 year old Adrian Durham.
He’s at the studio as much as the girls, working hard and perfecting his craft.
I’ve been around the
studio a great deal during my time on the board, gotten to know the kids, but I
realized that I had never talked to Adrian about
how he arrived here. It turns out to be one of those stories you hear about in
the movies about a movie. “I saw the
movie Bojangles with Gregory Hines.
After that, I started tap dancing all over the house. Margaret’s mom, Mrs. Lie,
suggested I come to the studio to take tap. Then Lady Leah got me to be a Robot
in Rudolph. That started my transition
to ballet, and then I gave up tap.”
Wow, just like that!
Now Adrian not only takes company classes and rehearses 5-6 days per week,
but he attended the Houston Ballet Academy's 2011 Summer Intensive and has been accepted
to attend the 2012 Houston Ballet Summer Intensive. That’s intense training! I
asked him how he decided to audition that first time in 2011. “Well, Katelyn’s
mom, Mrs. Rhonda, suggested it, and I thought, ‘Why not?’ I wasn’t really
serious about it; I just figured I’d try. Then I got in, so I decided I should
go. That was the turning point. I loved it. Before Houston , I
liked ballet, but after Houston , I decided that is definitely what I want to do. I would like
to get into Houston Ballet and stay there after I graduate from High School.”
Houston Ballet has not only inspired Adrian’s
dream for a future in ballet, but it really gave him an opportunity to work
with more male dancers and to focus on those skills particular to their gender.
He says it was perfect timing because he may not have gotten the parts he has
for Sleeping Beauty and Rudolph without that training. Both
performances have included partnering skills, and he was able to do quite a bit
of that in Houston.
In both Sleeping Beauty and Rudolph, Adrian partners with Julia Basone. He says that they are
very comfortable with the partnership and have worked together quite a bit in
the studio. Their Russian dance in Rudolph was certainly a big hit with Lady
Leah Lafargue Hathaway, artistic director emeritus of LCCB. I was watching one
of the performances with her when she asked, “Who is that young man?” I
answered, and she got over the fact that the young Robot is now a young man,
she said, “Well, we need to use him more. He knows what he’s doing!”
And that is why LCCB
is grateful for the movie Bojangles!
Photos by Cameron Durham
I've been watching this young mans performance and admire how he's creating his own destiny .Taha Feridun Elgun
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