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Friday, May 18, 2012
Friday, March 16, 2012
Interview with Ashley Eaves
Guest Writer: Kelley Saucier, LCCB President
Everyone loves the bad guy. Think
about all of the movies you’ve seen where you are rooting for the villain,
enjoying yourself and then think, “Oh, wait Heath Ledger is evil right now.”
Then you go back to rooting for Bat Man. You may have a similar experience when
you watch Ashley Eaves as the wicked Carabosse in The Sleeping Beauty.
The beautiful
Miss Eaves is quite tall, model tall, so when she goes up on pointe in her
fantastic costume she is quite imposing. Her height is a fabulous asset as she
brings her character to life in a really big way. Believe me, you are going to
love her, even though you’re supposed to hate her. Ashley and I talked about
how she creates such a vivid character. “I was in the drama club at Merryville
High School. I was always cast as a larger than life or obscure character. We
did musicals, and in musicals you must be animated. I played lots of
characters, like if there was a crazy old lady, I’d be that. I researched on
YouTube a lot for this role. I watched Royal Ballet, Paris Opera Ballet. Seeing
others helped. Lady Holly’s version is different, but I am able to draw from
the energy of those who have created Carabosse in the past.”
The role of
Carabosse is incredibly physical. I am worn out just watching so I asked Ashley
about what it takes to get through it. “It’s a heart-pounding cardio thriller!
I think Lady Holly tried to see how much she could put into 4 minutes of
choreography. It’s good because it’s so challenging, but I’ve got 4 minutes to
change the whole story. I’m the antagonist, so if I don’t do a good job then
the audience won’t understand the curse and why Lilac is so important. I hope I
make it come to life. I hope people see the contrast between Addie (Saucier/Lilac)
and me; that she is good and I am evil and that really comes across.”
Carabosse spends
most of her 4 minutes menacing the Royal Court of King Florestan, so we
discussed the give and take on the stage. “I love interacting with Damien
(Thibodeaux/Catalabutte) and Mary and Joel (Werner/King and Queen). When they
come to life with their characters the more comfortable I am being the Mistress
of Evil. It’s been especially good this week being in the theatre.” I have to
say their interaction is one of my personal favorite parts of the ballet. They
are all so believable. So, when you come to see The Sleeping Beauty, you will definitely see great acting!
Run – do not walk
– straight to the Civic Center Box Office to buy your tickets if you haven’t
already done so. Trust me; you do not want to miss seeing Ashley as Carabosse.
She is so much fun to watch. Dynamic, gorgeous, and thoroughly entertaining –
you are going to love to hate her!
Ashley is the 21 year old daughter of
Sharon and Darrell Eaves of Merryville, Louisiana. She is a senior accounting
major at McNeese State University. Ashley began her dance training in
Merryville as a tap dancer. She has studied dance for 19 years, four of those being
ballet training at Lady Leah Lafargue School of the Dance in ballet. In her
short time at LCCB, Ashley has had many feature roles including Mother in Daguerreotype, Miss Scarlet in Clue, Hawaiian and Japanese in Rudolph. Ashley teaches tap and Jazz
at Lady Leah Lafargue School of the Dance.
Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography
Thursday, March 15, 2012
Interview with Adelaide Saucier
Guest Writer: Kelley Saucier, LCCB President
Kisler
Hathaway Whitworth , assistant rehearsal director, daughter of
Lady Leah Lafargue Hathaway, artistic director emeritus, has been an important
part of the training process for Sleeping
Beauty. Addie says, “Kisler has really helped everyone so much, she has put
so much into it, she’s great. She’s super positive. If you’re having trouble
with a step, she just looks at you and can tell you how to fix it. I know that
there is no way I’d be doing my variations as well as I am without her help.
She’s really funny and a ham. She’s performing in the ballet and she’s still
got it; she’s a pro.”
So let me
introduce you to my eldest daughter, Adelaide. I can’t believe that she will be
graduating from High School this May! It’s because of her that I am here
writing all of these ballet company interviews, spending all of my time at the
theatre and talking to Lady Holly 100 times a day. She had just turned three
when I enrolled her in ballet class because that was what everyone else was
doing. In third grade she quit other activities and said, “This is what I want
to do.” It was her choice. I had no intention of being a ballet mom, having
never spent any time at the barre myself. Yet here I am, and I couldn’t be more
grateful.
Adelaide has the
great fortune to play Lilac Fairy, Queen of all the Fairies in The Sleeping Beauty. I asked Addie what
the challenge is in being Lilac. Her answer: “What isn’t the challenge of
Lilac? There are super challenging steps throughout the ballet. I have to be a
leader and act regal, queenly. It’s fun. I am really enjoying it and it has
helped me to improve as a dancer. My partnering skills have improved
immensely.” In Act II, Lilac has a long partnering sequence with the Prince,
Drew Anderson. Adelaide and Drew have been partners many times and I asked
about their relationship. “Lady Holly says he calms me down and I give him
confidence. It’s a great relationship. We are like brother and sister, and it
translates well in our partnership. We have a lot of trust in each other.”
Lilac Fairy is
one of the leads of the ballet and she is in all four acts, so Addie and I
talked about her stamina. “I am going to need about two gallons of water
pre-intermission and two gallons post intermission, and I will be sucking
oxygen in the wings. In Act I, the Birthday Party Scene, I am on pointe the
whole time doing all of these bourres. It seems and appears easy, but it is so
tough, and I have to look calm and pretty. There can be no tears. We have
established levels of difficulty during Sleeping
Beauty. The dancers have developed a code and hand gestures to express
those levels as part of our comic relief. It’s ‘Fairy Bonding.’ Those bourres
are a HIGH level!”
Adelaide is
grateful for the opportunity to perform a full length ballet with the Symphony
with the amazing costumes and sets, and especially the growth as a dancer. This
has translated into some great choices for her future – so where will she go to
college? “I am still undecided. I am just excited to have choices. But wherever
I am, dance will be a part of my life.”
I said at the
beginning of this piece that I am grateful too. For 15 years it has been my joy
to watch Adelaide and Gabrielle enjoy the art and discipline of classical ballet
and to participate behind the scenes. I never would have imagined my life as a
ballet mom, but I have had the most fun being a part of LCCB. Adelaide made a
great choice for herself, and for me. I think she will continue to make great
choices in life. Who knows where she will lead me next.
Adelaide is the 17 year old daughter of
Kelley and Luke Saucier of Lake Charles. She is a senior at St. Louis Catholic
High School. Adelaide has studied ballet for 15 years, the last 10 with Lady
Leah Lafargue School of the Dance and Lake Charles Civic Ballet; in addition
she has participated in summer intensive workshops at Central Pennsylvania Youth
Ballet, American Ballet Theatre, and Dallas Metropolitan Ballet. Over the
years, lead roles in LCCB productions have included The Flirt in Daguerreotype 2007 and 2010, Clemmy
in Once Told to Me, Mary and
Snow Queen in Rudolph. She also
was a part of the 2004 cast of Petrouchka
with the Lake Charles Symphony. Adelaide is still deciding where she
will attend college next year, but has been accepted to dance programs at
Chapman University in Orange, California, Texas Christian University in Fort
Worth, Texas where she is an alternate for the Nordan Fine Arts Scholarship, and
has received a Loyola Scholar Award to Loyola University in New Orleans.
Profile photo by Cameron Durham / Dance photos by Romero & Romero Photography
Profile photo by Cameron Durham / Dance photos by Romero & Romero Photography
Wednesday, March 14, 2012
Interview with Julia Basone
Guest Writer: Kelley Saucier, LCCB President
I can tell you
from hanging around the studio and theatre, that dancers are most definitely
athletes. The beauty and grace you see on stage has a lot of blood, sweat and
tears behind it. No pain, no gain? You bet! I have seen more bloody bruised
toenails on these dancers’ feet than I ever did when I was running marathons –
note the past tense. Not to worry, Julia Basone is part of the Sleeping Beauty cast and she brings with
her some very special skills learned during her time as a trainer for the St.
Louis Catholic High School athletic teams.
Most everything
Julia has learned as an athletic trainer has been useful in treating herself as
a dancer-athlete. “I have learned how to tape wrists and ankles, how to use ice
packs, the correct heating pad temperature, when to use heat and when to use
cold. It has also been great because I want to go into physical therapy for my
profession.” While Julia mostly works with the football teams, she spends the
entire school year in athletic PE where she treats any athlete who may need
assistance, basketball players, soccer players, you name the sport. I asked her
if she could see a connection between ballet and football, “Yes. In ballet,
your technique has to be perfect and we learn patterns in choreography. That is
sort of like their plays on the field.”
Julia and I talked about her roles in The Sleeping Beauty, Fairy of the
Songbirds in the prologue, and Cinderella with Adrian Durham in the finale.
“There has been a big transition from the summer. This
has been a year of growth because of the amount of work that has gone into the
parts I wanted. It’s the biggest year yet!
I initially wanted Annabelle’s (Bang) part and Annabelle wanted
mine. We had a bet that she would get the part I wanted and I would get hers –
and that is exactly what happened.” I asked her about the difficulty of her
fairy role, also called Canary Fairy, because it is so quick and bird-like. “If
I miss one step, I could be done. I have to hear every single note and stay
with it. The jump is awkward, but it has become natural to me. My pointe work
is so much better now.”
Julia’s
partnership with Adrian Durham, Prince Charming to her Cinderella is very
comfortable. Although they learned the choreography later than their other
parts in the ballet, it has been easy and they are having a lot of fun working
together. They are frequent partners in the studio and shared the stage in the
Russian dance during Rudolph this
past December.
So what does it
feel like now that opening night of The
Sleeping Beauty is almost here? “I am happy because as a ballet company we
are stronger. Everything has come together so nicely. I feel like I am coming
out of my shell because this is my first solo and I’m glad I have the
opportunity to do it. I am excited to work with the Symphony, and if they
happen to slow down Canary, well, don’t tell Lady Holly, but I won’t complain.”
Funny, Julia – we know you can handle the tempo beautifully and we can’t wait
to see it on Saturday night!
Julia is the 15 year old daughter of Robin
and Sigmund Basone of Lake Charles. She is a sophomore at St. Louis Catholic High
School. Julia has trained for 11 years with Lady Leah Lafargue School of the
Dance and Lake Charles Civic Ballet. She has participated in many LCCB
productions, but especially remembers being harnessed and flying away as the
Balloon Girl in Carnival in Venice 2010.
Most recently Julia played the Kari Doll and Russian Dancer in Rudolph 2011.
Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography
Tuesday, March 13, 2012
Interview with Gabrielle Saucier
Guest Writer: Kelley Saucier, LCCB President
Well, I might seem a bit biased with this interview, because
as you all know by now, I am a proud ballet mom. Even if she didn’t belong to
me, I would think Gabby Saucier is pretty special.
This has been a
fabulous year of growth and progress for Gabby in ballet. She played the lead
in Rudolph the Red-Nosed Reindeer in
December, 2011. This is a pretty big deal because age 13 at that time and in
the 8th grade, she is the youngest lead for Rudolph ever cast. In addition to that, Gabby is the youngest main
dancer in the production of The Sleeping
Beauty. She plays Fairy of the Enchanted Garden in the prologue, friend to
Aurora in Act I and The White Cat in the finale opposite Lake Charles native
turned New Yorker William “Billy” Ward who performed for 26 years with the New
York City Opera. Gabby is a couple of years younger than her fellow fairies.
Gabby and I
talked about her upcoming roles in The Sleeping Beauty. Being a fairy is quite
different from the character roles she is used to, “[Fairy of the Enchanted
Garden] is pleasant and graceful. The changes in her character are not as
overt, she is more consistent.” Gabby says that being a fairy is fun and she is
close friends with her fellow fairies. Although the role has been challenging
it is all coming together, “I’ve grown as a dancer and gotten better.”
The role of The
White Cat is one that Gabby really wanted especially because her favorite part
about dancing with LCCB is portraying a character. “When we went to Houston
Ballet last year to watch their Sleeping
Beauty I said, ‘I want that part!’” The pas de deux of The White Cat and
Puss in Boots is always a crowd favorite because it is full of comedy. This is
Gabby’s first time partnering. She had the opportunity to work with Billy Ward,
LCCB’s Puss in Boots, a little bit this summer, which was great. “He is so nice
and funny, and really tries to make me feel comfortable. The lift is challenging
for me because I have a hard time remembering to lean back, but I’m getting
it.” It’s also nice that Billy is finally here in Lake Charles for performance
week, “It is fun to act with someone because you can feed off of the other
person, and Billy is good actor.” I asked Billy if he has anything to say about
working with Gabby, “I'm excited to dance with Gabby; her playful charm and
talent match her sweet nature, and she's a perfect White Cat! Gabby also has
the ‘adorable factor,’ that would make any guy in his right mind want to share
this role with her. She's attentive and eager to take advice and apply it
quickly to our partnership. It's a great gift to me when a dancer has no ego
and rehearsals flow and become what dance really should be: shared joy. I think
when this is all over I'm going to feel a little sad..”
I think we all
will feel a little sad too, Billy.
Gabby is the 14 year old daughter of
Kelley and Luke Saucier of Lake Charles. She is in the 8th grade at Bishop
Noland Episcopal Day School. Gabby has performed in numerous LCCB productions,
and fondly remembers her debut performance in 2001 as Raggedy Ann in Rudolph. Gabby recently starred in
the title role of Rudolph in
the 2011 LCCB Christmas performance. She has studied ballet for 12 years, the
last 10 at Lady Leah Lafargue School of the Dance and Lake Charles Civic
Ballet. Gabby also participated in summer workshop at Dallas Metropolitan
Ballet in 2010.
Top photo (with Ray Delle Robbins) by Cameron Durham / Dance photo by Romero & Romero Photography
Monday, March 12, 2012
Interview with Adrian Durham
Guest Writer: Kelley Saucier, LCCB President
Adrian is the 15 year old son
of Pat and Arthur Durham of Lake Charles . He is a homeschooled
sophomore. Adrian has trained for 6 years with Lady Leah Lafargue School of the
Dance and Lake Charles Civic Ballet. In 2011 Adrian participated in the Houston
Ballet Academy's Summer Intensive and will attend again in 2012. Adrian has been
in many LCCB productions, most recently sharing the stage with Julia Basone as
Russian Dancers in the 2011 Rudolph production. They are pleased
to be partnering in The Sleeping Beauty finale as Cinderella and
Prince Charming.
Well, there aren’t that many guys at the ballet studio. The men
are definitely outnumbered, but that hasn’t deterred 15 year old Adrian Durham.
He’s at the studio as much as the girls, working hard and perfecting his craft.
I’ve been around the
studio a great deal during my time on the board, gotten to know the kids, but I
realized that I had never talked to Adrian about
how he arrived here. It turns out to be one of those stories you hear about in
the movies about a movie. “I saw the
movie Bojangles with Gregory Hines.
After that, I started tap dancing all over the house. Margaret’s mom, Mrs. Lie,
suggested I come to the studio to take tap. Then Lady Leah got me to be a Robot
in Rudolph. That started my transition
to ballet, and then I gave up tap.”
Wow, just like that!
Now Adrian not only takes company classes and rehearses 5-6 days per week,
but he attended the Houston Ballet Academy's 2011 Summer Intensive and has been accepted
to attend the 2012 Houston Ballet Summer Intensive. That’s intense training! I
asked him how he decided to audition that first time in 2011. “Well, Katelyn’s
mom, Mrs. Rhonda, suggested it, and I thought, ‘Why not?’ I wasn’t really
serious about it; I just figured I’d try. Then I got in, so I decided I should
go. That was the turning point. I loved it. Before Houston , I
liked ballet, but after Houston , I decided that is definitely what I want to do. I would like
to get into Houston Ballet and stay there after I graduate from High School.”
Houston Ballet has not only inspired Adrian’s
dream for a future in ballet, but it really gave him an opportunity to work
with more male dancers and to focus on those skills particular to their gender.
He says it was perfect timing because he may not have gotten the parts he has
for Sleeping Beauty and Rudolph without that training. Both
performances have included partnering skills, and he was able to do quite a bit
of that in Houston.
In both Sleeping Beauty and Rudolph, Adrian partners with Julia Basone. He says that they are
very comfortable with the partnership and have worked together quite a bit in
the studio. Their Russian dance in Rudolph was certainly a big hit with Lady
Leah Lafargue Hathaway, artistic director emeritus of LCCB. I was watching one
of the performances with her when she asked, “Who is that young man?” I
answered, and she got over the fact that the young Robot is now a young man,
she said, “Well, we need to use him more. He knows what he’s doing!”
And that is why LCCB
is grateful for the movie Bojangles!
Photos by Cameron Durham
Sunday, March 11, 2012
Interview with Katelyn Chargois
Guest Writer: Kelley Saucier, LCCB President
Some people are
born to dance – that is so true for Katelyn Chargois aka Princess Aurora! This
16 year old home-schooled junior has recently been accepted to the School
of American Ballet 2012 Summer Course. The opportunity is a dream come true for
dedicated ballerinas across the globe, and the opportunity of a lifetime to get
even better training for our local star. So, I asked her what her goals are.
“Right now I’m looking at college programs. I would love to be a part of a
professional company. I see myself having my own studio and helping other kids
with the art of ballet.”
Or, could it be
that she has a future in costume design? One of the most fascinating things
about Katelyn to me is that she is curious about every single part of a
ballet production. When we visited costume designer Ray Delle Robbins at
Theatre Under the Stars in Houston, Katelyn wasn’t just interested in how her
Aurora costumes were going to fit; she wanted to know all about how tutus are
made and got detailed instructions on how to make her own. She is also known
for the being the best at sewing pointe shoes, “She’s the fastest and you can’t
even see her stitches,” according to Adelaide Saucier.
featuring Ashley Eaves as Carabosse |
Perhaps her
future will be in marketing? In her spare time, Katelyn has created most of the
ads you have seen on our social media sites. I may be biased, but I think they
are all beautiful and LCCB could not ask for better work from a “professional!”
Again, she has taken the time to figure out most every aspect of marketing our
organization.
With regards to
the current production of The Sleeping
Beauty, Katelyn and I discussed the role of Princess Aurora and how it is
different from her previous roles with LCCB. “Usually I have a character with
distinct emotion, but with Aurora I am not really sure. Is she flirty or like a
little kid? Or like an adult? She’s majestic, but it’s complicated. In 2012 a
16 year old is definitely different from a 16 year old in the 16th
century. Today you don’t get boys for your 16th birthday,” she says
in reference to the suitors who come to Aurora’s 16th birthday party
in Act I. “In Act I Aurora is young; she is royal but not snooty. In the
finale, she is getting married, and is happy because the love of her life has
found her.” Despite the pressure of having the title role, Katelyn is calm,
relaxed, and very much looking forward to taking the stage next week.
I am quite certain
that no matter what direction this talented young lady pursues, she will be extremely
successful!
Katelyn Chargois is the 16 year old daughter
of Von and Rhonda Chargois . She is a
Home School Junior. Katelyn has trained for 10 years with Lady Leah Lafargue
School of the Dance and Lake Charles Civic Ballet. She attended Houston Ballet Academy's Summer Intensive in 2009 and 2011. She has been accepted to School of American Ballet (SAB) 20 12 Summer Course and Houston Ballet Academy's 2012 Summer
Intensive. Katelyn has been featured in many LCCB productions including The
Flirt and Little Brother in Daguerreotype, Little Sister in Debut, Swiss and
Mary in Rudolph. She will attend the SAB Course in New York City this
summer.
On the lake photo by Cameron Durham / The Sleeping Beauty photo by Romero & Romero Photography
Saturday, March 10, 2012
Interview with Marissa White
Guest Writer: Kelley Saucier, LCCB President
Books, barista, ballerina, bed. Put another way: school, work, studio, sleep.
That is how our busy Fairy of the Crystal Fountain, Marissa White, spends her
time. As the manager of Joe Muggs coffee shop in Books-A-Million she works
about 45 hours per week. Add to that 12 hours of class at McNeese, plus
rehearsals at the ballet studio, there is no doubt that Marissa is an expert in
time management!
Marissa’s family
has been a part of LCCB from the beginning. Her grandmother, Debi Buras White,
founded the company with Lady Leah Lafargue Hathaway in 1968. Over the years
the legacy has included many members of the White family; Marissa’s parents,
aunt, uncle, sister and cousins have all performed in LCCB productions. Only
her brother escaped the stage – it seems Marissa had no choice and lucky us,
because she is beautiful!
I sat down with
Marissa to talk about her upcoming roles in The
Sleeping Beauty, Fairy of the Crystal Fountain in the Prologue and Princess
Florine in the Finale. First, we talked about Fairy of the Crystal Fountain in
the Prologue. “The challenge for me is to remain fluid with my arms and
continuing the movement. The arms are doing something completely different from
the feet. It’s like a river, moving water and fluidity. My costume represents
water. I really wanted the part of the Crystal Fountain.”
Marissa then
explained the role of Princess Florine. “Princess Florine is Prince Desire’s
sister. She had been trapped in a tower and a blue bird freed her by teaching
her to fly away. I imagine that while I’m dancing.” Playing the role of
Marissa’s blue bird is David Sanders of Dallas, Texas. David and Marissa danced
together in 2008 when David spent a summer here in Lake Charles working with
Les Jordan of North Central Ballet. That
connection is the reason David will be joining the LCCB cast of Sleeping Beauty. Marissa says the
partnership is going well. “David really works to make me look good, and gives
me a lot of security. He’s a big actor and has a big personality. I have to
work to match that, so that’s the challenge for me. Also, he’s 6’3” and I’m
5’4”, so I have to dance big. It’s been fun and really nice to reconnect.” In
the finale, the beautiful Princess Florine and Blue Bird are guests at the
wedding of Princess Aurora and Prince Desire. They dance a beautiful and
difficult pas de deux.
So is Marissa
showing any signs of fatigue with her hectic schedule and the big performance
looming? No, not at all; as she says, “I stay organized and have my routine.”
And now, if you need a good latte, you know where to go!
Marissa White is the 21 year old daughter of
Judy and Mike White. She is a junior accounting major at McNeese State
University and manager of Joe Muggs coffee shop. Marissa has trained for 16
years with Lady Leah Lafargue School of the Dance and Lake Charles Civic
Ballet. She has been a featured performer in many LCCB productions including
Spinster in Daguerreotype, Snow Queen, Reindeer, and Arabain in Rudolph, and
Colinda in Louisiana Saturday Night. Marissa hopes to own her own coffee shop
one day.
Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography
Thursday, March 8, 2012
Foundation For Life
My sister Rebecca danced with Lady Leah from as early as I
can remember. Lady's son Bill was a childhood friend of mine, and one day, my
brothers (Clay & Norman) and I were enlisted by Bill to work backstage. As
we were tying a giant backdrop of Oak Alley to a pipe, readying the
stage for one of Lady's signature ballets, she walked out of the darkness of
the upper stage-right wings. She was pure raw energy; you could feel her
presence moments before you saw her. Until that day, I'd never met this tiny,
confident, beautiful woman.
She
introduced herself: "Hello, I'm Lady Leah, director of the Lake Charles
Civic Ballet. Thank you so much for helping us." Wow! She was the stuff of
old southern lore. A lady in all aspects, and the director! I was speechless,
which was normal for me at that point in my life, as I'd been diagnosed with an
extreme case of dyslexia. I still don't care much for the word failure,
but the fact is before that day, I was a failure. In my childhood, defeat after
defeat left me a shell, a numb and frightened kid who didn't care about
learning. I didn't even want to try anymore. How many times could I take the
blame for not applying myself or being lazy? The moment I met Lady Leah, I
guess God intervened!
Lady walked up to me and asked me to take off my shoes and
point my foot. Just like that, right out of the blue! I thought, this Lady is
nuts! Anyway, you didn't say no to Lady Leah, so I took off my shoe and
mimicked what I thought a pointed foot was. She looked at me and said,
"You have to be a dancer."
I thought; get me out of here quick! No way am I going to do
this stuff. I like being around beautiful girls in leotards, but I'm not
dancing! Well, the next thing I knew, she had set up a class to teach some of
the guys - including my brothers - to learn to lift the girls and to do a
polka, in case she needed us for a ballet she was choreographing called Buckskin Believers. In class she
started sneaking in a ballet step or two. I remember jumping across the floor
with my brothers as Lady counted out the music for us, screaming, "Jump
boys!" I was stunned at the joy and camaraderie I felt, doing the step and
sharing it with my brothers. It felt right to use my body like this, in a
centuries-old art form I was doing without too much difficulty.
About a week later, I showed up for the class but guess who
didn't? All of the other guys! I grabbed my backpack and tried to get out of
the room without Lady seeing me, but she nailed me, saying, "Billy Ward
get to the barre between Missy and Renee and do what they do."
I left Lake Charles the next year with a full
scholarship to the 2 best ballet schools in America! If it weren't for Lady
being the force of nature and the complete "total theatre" experience
she is, my life may have taken another turn. I owe her everything; I learned to
believe in myself because of her support and excitement in my dancing. I thank
her every day and know even now, as I am still dancing with the New York City
Opera, that my wonderful life, my joy, was uncovered for me by her.
Thank
you, Lady, for dreaming and telling me daily you knew I could do it! Nothing is
impossible...
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